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Information About

Dorothy Arzner





CAREER


She began her Hollywood career as a script writer and editor, and eventually was promoted to directing.

However, Arzner faced significant hurdles to fully capitalizing on her skills and talents. In addition to being a woman, she was a Lesbian who was unwilling or unable to disguise her sexuality ( Joan Crawford once quipped, "I think all my directors fell in love with me; I know Dorothy Arzner did!"), which made it additionally difficult for Arzner to succeed, and may have contributed to her departure from Hollywood .

Nonetheless, she frequently worked with first-rate actors and often was one to help a talent become a star, such as with Sylvia Sidney whom Arzner directed in ''Merrily We Go to Hell'', and whose talent and mettle she recognized under Sidney's frail appearance, although Sidney could be difficult to work with, a fact Sidney herself acknowledged late in life blaming it on her early movie fame which she was not ready to handle. Arzner also had some difficulties with the notoriously headstrong Katharine Hepburn until Hepburn "was told by the front office who was the film's director".

Dorothy Arzner, who never married or had children, died on October 1 , 1979 , at the age of 82 in La Quinta , California .


PARTIAL FILMOGRAPHY


  • ''First Comes Courage'' (1943) (Merle Oberon)

  • ''Dance, Girl, Dance'' (1940) (Lucille Ball & Maureen O'Hara)

  • ''The Bride Wore Red'' (1937) (Joan Crawford)

  • ''The Last of Mrs. Cheyney'' (1937) (uncredited) (Joan Crawford)

  • ''Craig's Wife'' (1936) (Rosalind Russell)

  • ''Nana'' (1934) a.k.a ''Lady of the Boulevards'' (UK)

  • ''Christopher Strong'' (1933) (Katharine Hepburn)

  • ''Merrily We Go to Hell'' (1932) (Sylvia Sidney) ... aka Merrily We Go to ____ (UK)

  • ''Working Girls'' (1931) (Frances Dee)

  • ''Honor Among Lovers'' (1931) (Claudette Colbert)

  • ''Anybody's Woman'' (1930) (Ruth Chatterton)

  • ''Paramount on Parade'' (1930)

  • ''Sarah and Son'' (1930) (Ruth Chatterton)

  • ''The Wild Party'' (1929) (Clara Bow)

  • ''Manhattan Cocktail'' (1928)

  • ''Get Your Man'' (1927) (Clara Bow)

  • ''Ten Modern Commandments'' (1927)

  • ''Fashions for Women'' (1927)

  • ''Blood and Sand'' (1922) (additional footage) (uncredited)



FURTHER READING

  • Claire Johnston (Editor), ''The work of Dorothy Arzner : towards a feminist cinema'', London : British Film Institute, 1975

  • Judith Mayne, "Directed by Dorothy Arzner", Indiana University Press 1994



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