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Paul Gauguin




Eugène Henri Paul Gauguin ( June 7 , 1848May 9 , 1903 ) was a leading Post-Impressionist Painter . His bold experimentation with coloring led directly to the Synthetist style of Modern Art while his expression of the inherent meaning of the subjects in his paintings, under the influence of the cloisonnist style, paved the way to Primitivism and the return to the Pastoral .

Born in Paris , he was descended from Spanish settlers in South America and the Viceroy of Peru , and spent his early childhood in Lima . He was the grandson of Flora Tristan , a founder of modern Feminism . After his education in Orléans , France , Gauguin spent six years sailing around the world in the Merchant Marine s and then in the French navy. Upon his return to France in 1870 , he took a job as a Broker 's assistant. His guardian Gustave Arosa, a successful businessman and art collector, introduced Gauguin to Camille Pissarro in 1875 .

''
1897, oil on canvas
Boston Museum Of Fine Arts , Boston, MA, USA]]

A successful stockbroker during week-days, Gauguin spent holidays painting with Pisarro and Cezanne . Although his first efforts were clumsy, he made visible progress. By 1884 Gauguin had moved with his family to Copenhagen , where he unsuccessfully pursued a business career. Driven to paint full-time, he returned to Paris in 1885 , leaving his family in Denmark . Without adequate subsistence, his wife (Mette Sophie Gadd) and their children returned to her family. Gauguin outlived almost all of his children.

Like his friend Vincent Van Gogh , with whom he spent nine weeks painting in Arles , Paul Gauguin experienced bouts of Depression and at one time attempted Suicide . Disappointed with Impressionism , he felt that traditional European painting had become too imitative and lacked symbolic depth. By contrast, the art of Africa and Asia seemed to him full of mystic symbolism and vigour. There was a vogue in Europe at the time for the art of other cultures, especially that of Japan (Japonisme).

, Buffalo, NY, USA]]

Under the influence of '' ( 1889 ), often cited as a quintessential Cloisonnist work, the image was reduced to areas of pure colour separated by heavy black outlines. In such works Gauguin paid little attention to classical perspective and boldly eliminated subtle gradations of colour — he dispensed with the two most characteristic principles of post- Renaissance painting. His painting later evolved towards "Synthetism" in which neither form nor colour predominate but each has an equal role.

In 1891 , Gauguin, frustrated by lack of recognition at home and financially destitute, sailed to the tropics to escape European civilization and "everything that is artificial and conventional." (Before this he had made several attemtpts to find a tropical paradise where he could 'live on fish and fruit' and paint in his increasingly primitive style, including short stays in Martinique and as a worker on the Panama Canal). He remained in Tahiti and later in the Marquesas Islands for most of the rest of his life, returning to France only once. His works of that period are full of quasi-religious symbolism and an exoticized view of the inhabitants of Polynesia. In Polynesia he clashed often with the colonial authorities and with the Catholic Church.

He died in 1903 and is buried in Calvary Cemetery (Cimetière Calvaire), Atuona , Hiva ‘Oa , Marquesas Islands , French Polynesia .


QUOTES BY GAUGUIN


In order to do something new we must go back to the source, to humanity in its infancy.

I have tried to make everything breathe in this painting: belief, passive suffering, religious and primitive style, and the great nature with its scream.

How do you see this tree? Is it really green? Use green, then, the most beautiful green on your palette. And that shadow, rather blue? Don't be afraid to paint it as blue as possible.

To me, barbarism is a rejuvenation.

Art is either plagiarism or revolution.


QUOTES ABOUT GAUGUIN


He put so much mystery in so much brightness. (Mallarme)

Gauguin's paintings always seemed to me cruel, metallic and lacking in general emotion. He is always absent from his own work. Everything is there except the painter himself. (Vlaminck)

For Europeans the romantic strangeness and eroticism of his paintings of the islanders, the festivities with their unknown symbolism, are inherently attractive, and this has tended to obscure Gauguin's real contribution. The quality of his art does not reside in revelations of another culture but in the aesthetic position he arrived at. (Trewin Copplestone)

Portentous allegories about the destiny of mankind. (John Russell)

The popular fancy that Gauguin 'discovered himself' as a painter in Tahiti is quite wrong. All the components of his work - the falt patterns of colour, the wreathing outlines, the desire to make symbolic statements about fate and emotion, the interest in 'primitive' art, and the thought that colour could function as a language - were assembled in France before 1891. (Robert Hughes)




LEGACY


The vogue for Gauguin's work started soon after his death. Many of his later paintings were acquired by the Russian collector Sergei Shchukin. A substantial part of his collection is displayed in the Pushkin Museum and the Hermitage . Gauguin paintings are rarely offered for sale; their price may be as high as $39.2 million US Dollars .

Gaugin influenced many other painters, but one especially notable connection is his imparting to Arthur Frank Mathews the use of an intense color pallet. Mathews met Gaugin in the late 1890s while both were at the Academie Julian . Mathews took this influence in his founding of the California Arts And Crafts or California Decorative movement.

In 2003 , the Paul Gauguin Cultural Center opened in Atuona in the Marquesas Islands .

Paul Gauguin's life inspired Somerset Maugham to write '' The Moon And Sixpence ''.


LIST OF PAINTINGS


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  • ''The Seine in Paris between the Pont d'léna and the Pont de Grenelle'' ( 1875 )

  • ''The Seine at the Pont d'Iéna, Snowy Weather'' ( 1875 )

  • ''Apple-Trees in Blossom'' ( 1879 )

  • ''Effect of Snow'' ( 1879 )

  • ''Portrait of Gauguin's Daughter Aline'' (c. 1879 - 80 )

  • '''' ( 1880 )

  • ''Aube the Sculptor and His Son'' ( 1882 )

  • ''At the Window (A la fenêtre)'' ( 1882 )

  • ''Mandolina and Flowers'' ( 1883 )

  • ''Bouquet'' ( 1884 )

  • ''Cattle Drinking'' ( 1885 )

  • ''Still Life with Mandolin'' ( 1885 )

  • ''Study for the Bathers'' ( 1886 )

  • ''The Four Breton Girls'' ( 1886 )

  • ''Breton Shepherdess'' ( 1886 )

  • ''Washerwomen at Pont-Aven'' ( 1886 )

  • ''At the Pond'' ( 1887 )

  • ''Huts under Trees'' ( 1887 )

  • ''Palm Trees on Martinique'' ( 1887 )

  • ''Head of a Negress'' ( 1887 )

  • ''Madame Alexandre Kohler'' (c. 1887 - 88 )

  • ''Still Life with Three Puppies'' ( 1888 )

  • ''Breton Girls Dancing, Pont-Aven'' ( 1888 )

  • ''Breton Girls Dancing'' ( 1888 )

  • ''Madeleine Bernard'' ( 1888 )

  • ''Vision after the Sermon; Jacob Wrestling with the Angel'' ( 1888 )

  • '''' ( 1888 )

  • '''' ( 1888 )

  • ''Women from Arles in the Public Garden, the Mistral'' ( 1888 )

  • ''Hay-Making in Brittany'' ( 1888 )

  • ''Bouquet of Flowers with a Window Open to the Sea (Reverse of Hay-Making in Brittany)'' ( 1888 )

  • ''The Alyscamps'' ( 1888 )

  • ''Harvesting of Grapes at Arles (Misères humaines)'' ( 1888 )

  • ''Fruits'' ( 1888 )

  • ''Ceramic Vase with a Caricature Self-Portrait'' ( 1889 )

  • ''Bonjour, Monsieur Gauguin'' ( 1889 )

  • ''Still Life with Fan'' ( 1889 )

  • ''The Schuffenecker Family'' ( 1889 )

  • '''' ( 1889 )

  • ''Caricature Self-Portrait'' ( 1889 )

  • ''Self-Portrait with Yellow Christ'' ( 1889 )

  • ''Ondine'' ( 1889 )

  • ''Yellow Hay Ricks (Fair Harvest)'' ( 1889 )

  • ''Nirvana, Portrait of Meyer de Haan'' ( 1889 )

  • ''La Belle Angèle (Portrait of Madame Satre)'' ( 1889 )

  • ''Be in Love and You Will Be Happy'' ( 1889 )

  • ''Eve. Don't Listen to the Liar'' ( 1889 )

  • '''' ( 1889 )

  • ''Study for La perte de Pucelage (The Loss of Virginity)'' (c. 1890 - 91 )

  • ''Mimi and Her Cat'' ( 1890 )

  • ''Portrait of a Woman with Cézanne Still-Life'' ( 1890 )

  • ''Haystacks in Brittany'' ( 1890 )

  • ''Landscape'' ( 1890 )

  • '''' ( 1891 )

  • ''Vahine no te tiare (Woman with a Flower)'' ( 1891 )

  • ''Te Faaturuma (Brooding Woman)'' ( 1891 )

  • ''Les Parau Parau (Conversation)'' ( 1891 )

  • ''The Meal (The Bananas)'' ( 1891 )

  • '''' ( 1891 )

  • ''The Fisherwomen of Tahiti'' ( 1891 )

  • ''Black Pigs'' ( 1891 )

  • ''Self-Portrait'' ( 1891 )

  • ''Self-portrait'' ( 1891 )

  • ''Head of a Woman'' (c. 1891 - 92 )

  • ''Vaïraumati tei oa (Her Name is Vairaumati)'' ( 1892 )

  • '''' ( 1892 )

  • ''Aha oe feii? (Are You Jealous?)'' ( 1892 )

  • ''Fatata te miti (Near the Sea)'' ( 1892 )

  • ''Musique barbare'' (c. 1891 - 93 )

  • ''Parau Api (What's New?)'' ( 1892 )

  • ''Vahine no te vi (Woman with a Mango)'' ( 1892 )

  • '''' ( 1892 )

  • ''Piti Teina. (Two Sisters)'' ( 1892 )

  • ''Taperaa Mahana'' ( 1892 )

  • ''Joyeuseté (Arearea)'' ( 1892 )

  • ''Tahitian Eve'' (c. 1892 )

  • ''Words of the Devil'' (c. 1892 )

  • ''Nafea Faa ipoipo? (When Will You Marry?)'' ( 1892 )

  • ''Study for "When Will You Marry?"'' (c. 1892 )

  • ''Fatata te mouà (At the Foot of a Mountain)'' ( 1892 )

  • ''Self-Portrait'' (c. 1890s )

  • ''Matamoe (Landscape with Peacocks)'' ( 1892 )

  • ''Parau na te varua ino (Words of the devil)'' ( 1892 )

  • ''Merahi metua no Tehamana (Ancestors of Tehamana)'' ( 1893 )

  • ''Aita Tamari vahina Judith te Parari (Annah the Javanese)'' ( 1893 )

  • ''Te Tiare Farani (Bouquet of Flowers)'' ( 1893 )

  • ''Pastorales Tahitiennes'' ( 1893 )

  • ''Eü haere ia oe (Woman Holding a Fruit)'' ( 1893 )

  • ''Tahitian Landscape'' ( 1893 )

  • ''The Messengers of Oro. Illustration for 'L'Ancien culte mahorie', leaf 24'' ( 1893 )

  • ''Pape Moe (Mysterious Water)'' ( 1893 )

  • ''Self-Portrait'' (c. 1893 - 94 )

  • ''Portrait of William Molard. Reverse of Self-Portrait'' (c. 1893 - 94 )

  • ''Floral and Vegetal Motifs'' ( 1893 )

  • ''Tahitian Woman in a Landscape'' ( 1893 )

  • ''Breton Landscape (The "Moulin David")'' ( 1894 )

  • ''Breton Village in Snow'' ( 1894 )

  • ''Portrait of Mother'' ( 1894 )

  • ''Siesta'' ( 1894 )

  • ''Two Breton Women on the Road'' ( 1894 )

  • ''Head of Young Breton Peasant Woman'' (c. 1894 )

  • ''The Cellist (Portrait of Upaupa Scheklud)'' ( 1894 )

  • ''Mahana no atua (Day of God)'' (c. 1894 )

  • ''Nave Nave Moe (Sacred Spring)'' ( 1894 )

  • ''Ceramic vase with Tahitian Gods - Hina and Tefatou'' (c. 1894 - 95 )

  • ''Vairumati'' ( 1896 )

  • ''Te arii vahine (The King's Wife)'' ( 1896 )

  • ''Self-Portrait'' ( 1896 )

  • ''No te aha oe riri? (Why Are You Angry?'' ( 1896 )

  • ''Eiaha Ohipa (Not Working)'' ( 1896 )

  • ''Still Life with Mangoes'' ( 1896 )

  • ''Scenes from Tahitian Life'' ( 1896 )

  • ''Bouquet of Flowers'' ( 1896 )

  • ''Te Arii Vahine (Queen)'' ( 1896 )

  • ''Self-Portrait'' ( 1896 )

  • ''Te Vaa (The Canoe)'' ( 1896 )

  • ''Te Tamari No Atua (Nativity)'' ( 1896 )

  • ''Baby (The Nativity)'' ( 1896 )

  • ''Tarari maruru (Landscape with Two Goats)'' ( 1897 )

  • ''Man Picking Fruit from a Tree'' ( 1897 )

  • ''Nevermore, O Taiti'' ( 1897 )

  • '' D'où Venons Nous? Que Sommes-nous? Où Allons-nous? (Where Do We Come From? What Are We? Where Are We Going?) '' ( 1897 )

  • ''The White Horse'' ( 1898 )

  • ''Rave te hiti aamy (The Idol)'' ( 1898 )

  • ''Te Pape Nave Nave (Delectable Waters)'' ( 1898 )

  • '' The Bathers '' ( 1898 )

  • ''Horse on Road. Tahitian Landscape'' ( 1899 )

  • ''Motherhood (Women on the Shore)'' ( 1899 )

  • ''Te avae no Maria (Month of Maria)'' ( 1899 )

  • ''Three Tahitian Women Against a Yellow Background'' ( 1899 )

  • ''The Great Buddha'' ( 1899 )

  • ''Two Tahitian Women with Mango Blossoms'' ( 1899 )

  • ''Three Tahitians'' ( 1899 )

  • ''Tahitian Woman'' (c. 1900 )

  • ''Ford (Running Away)'' ( 1901 )

  • ''Sunflowers'' ( 1901 )

  • ''Tahitian Idyll'' ( 1901 )

  • ''And the Gold of Their Bodies (Et l'or de leurs corps)'' ( 1901 )

  • ''The Call'' ( 1902 )

  • ''Girl with a Fan'' ( 1902 )

  • ''Horsemen on the Beach'' ( 1902 )

  • ''Barbarous Tales'' ( 1902 )

  • ''Adam and Eve'' ( 1902 )

  • ''The Sorcerer of Hiva Oa'' ( 1902 )

  • ''Still Life with Parrots'' ( 1902 )

  • ''Mother and Daughter'' ( 1902 )


  • ''Haere Mai'' (date unknown)

  • ''In the Vanilla Grove, Man and Horse'' (date unknown)



EXTERNAL LINKS