| Hubie And Bertie |
Website Links For Bertie |
Information About ™Hubie And Bertie |
| CATEGORIES ABOUT HUBIE AND BERTIE | |
| characters introduced in 1943 | |
| fictional mice and rats | |
| looney tunes characters | |
|
FIRST FILM Jones introduced Hubie and Bertie in the or degree of naïveté, here, a Cat who doesn't know what a mouse looks like, is psychologically tormented by the pair. In this cartoon, they tell the mouse-hungry cat that a bulldog is a mouse, leading, of course, to several painful encounters for the cat. Hubie is voiced by Michael Maltese and Bertie by Tedd Pierce ; both men were Screenwriter s for Jones at the time. Hubie and Bertie as designed by Jones are nearly identical Mice with long snouts, large ears, and big, black noses. The two are somewhat Anthropomorphic , walking on their stubby hind legs and using their forelimbs as arms. The character are distinguished by their color; one is brown with a lighter-colored belly and face, while the other is gray (which mouse is which color changes from film to film). Also, Bertie has large Buck Teeth , while Hubie does not. Bertie also has a habit of responding to Hubie with: "Yeah-Yeah, Sure-sure!" Beginning with ''The Aristo-cat'', Jones quickly established differing personalities for his mice. Hubie, here in gray, is the thinker. He comes up with the plans, and he is the mouse with the chutzpah to fast-talk anyone into doing almost anything. Bertie, on the other hand, brown in this cartoon, is the doer. He performs the gruntwork to accomplish Hubie's schemes. Hubie makes it clear who is subservient to whom, slapping the simpler Bertie around whenever his natural goofiness interferes with the task at hand. LATER FILMS Jones would repeat the theme of mind-games several more times in his Hubie and Bertie shorts, as in their second cartoon, '' Roughly Squeaking '' on 23 November , 1946 . This time, Jones has the mice exploit a cat's stupidity by convincing him that he's a Lion and that a Dog is a Moose he wants to eat. By the short's end, the cat thinks he's a lion, the dog believes he's a Pelican , and a bystanding bird imagines himself a Thanksgiving Turkey . The mice are here voiced by Stan Freberg and Dick Nelson . The short was followed by '' House Hunting Mice '' on 7 October , 1948 , where Hubie and Bertie run afoul of a housekeeping Robot . In this cartoon and all subsequent Hubie/Bertie films, Stan Freberg voices Hubie and Mel Blanc plays Bertie. CAT AND MOUSE Jones introduced a permanent "antagonist" of sorts for the mice in '''' on 15 April , 1950 and '' Cheese Chasers '' on 25 August , 1951 . After these six cartoons, Jones retired Hubie and Bertie. He was moving on to other characters, such as Pepe Le Pew , Wile E. Coyote and Roadrunner , as well as his Marc Antony And Pussyfoot shorts. Jones would, however, continue to use the characters (or mice designed just like them) in Cameo roles in other shorts whenever he needed a generic mouse for a gag (for instance, the unnamed mouse in '' Chow Hound '' or the "killer" mice in '' Scaredy Cat ''). LATER APPEARANCES In recent years, Hubie and Bertie have made several cameos in Warner Bros. productions. For example, they play the sports Announcer s in the 1996 movie '' Space Jam ''. They have also appeared in '' The Sylvester And Tweety Mysteries '' and '' Tweety's High-Flying Adventure '' ( 2000 ). IMPACT ON JONES Despite their short run of films, Hubie and Bertie are significant in that they symbolize Chuck Jones as he had reinvented himself in the late 1940s . Before then, his films were mostly sweet, Disney-esque fluff starring ultra-cute characters such as Sniffles . The Hubie and Bertie shorts, in contrast, are intensely humor-driven and full of over-the-top gags and jokes. In addition, Hubie and Bertie's penchant for playing to their foes' neuroses hints at Jones' later work with ''Looney Tunes'' characters such as Daffy Duck . Jones is the one largely responsible for turning Daffy from a bouncing Screwball to a neurotic narcissist, and it is Jones who introduced several characters who are driven by believable impulses rather than just revenge, such as Wile E. Coyote with his obsessive pursuit of the Roadrunner and Pepe Le Pew with his outsize libido. Jones' Hubie and Bertie shorts show that the director was already thinking about characters in terms of their personalities. |
|
|